SUTEKH HEXEN: American Undisputed Icons of Ritualistic Black Noise Prepare Release of Massive Brand New 2XLP - Tracks Premiered at Indy Metal Vault and Heathen Harvest.


We’re truly honored to welcome the comeback of US Black Ambient veterans Sutekh Hexen. Both defiant and meditative, their latest self-titled full-length and first proper studio album furthers the project’s inquiry into opposition, endurance, and paradox. Both hypnotic and cruel, these ten highly charged tracks transgress yet again any previously imposed boundaries while upholding their raw ethos at its root, and at times defying the listener's expectations altogether. Though tempestuous as ever, with this work, Sutekh Hexen reaches across thresholds and thrusts longtime listeners into redefined spaces: haunted disorientation, surreal agony, the distress of buried forces surfacing, a revelation of black tongues. Each track is a rite of clandestine horror through a distillation of power-ambient, industrial, and black metal deconstructionism. This is a new era of Sutekh Hexen, and it is a sharpening of their blade, a merciless lucidity.

The album’s colossal aura and merciless execution is the result of a team effort of sorts with many contributors from the Bay Area and beyond lending their talents to harness a realm of sonic deconstruction of unseen force and magnitude - among them Von’s legendary vocalist/bassist Venien, BLSPHM’s Demian Johnston, and members of Lead Eater, Terror Cell Unit, and beyond.

The self titled double album will be officially released on March 29 2019 digitally, and as a stacked 2X cassette tape with two j-cards, silkscreened slipcase, and download card, limited to just 100 units. A 2LP edition pressed on black vinyl will also see the light through Sentient Ruin in the western hemisphere in a limited edition of only 150 units, while 150 more will be released in the EU by Cyclic Law along with a CD version.

Take a glimpse into the wretched and disembodied realm of aural chaos that Sutekh Hexen’s have summoned on their new album courtesy of Indy Metal Vault and Heathen Harvest, both of which have premiered a track off the album each, lauding the band’s new effort for its malevolent sonic mastery and grandiose weaving and layering of dark matter and shadows emanating from the void.

In the realm of extreme and otherworldly sounds, few entities have reached the peaks of cacophony and sonic disintegration touched by Bay Area blackened noise cult miscreants Sutekh Hexen. The ultra-prolific black noise sorcerers from Oakland have thus far amassed, in less than a decade into existence, a massive discography that touches depths of endarkenment and musical disembodiment that are almost impossible to understand. With releases being put out on cult labels like Magic Bullet, Cold Spring, Handmade Birds, Holy Terror, and Black Horizons, Sutekh Hexen have established them selves as absolute leaders in the realm of avantgarde ritualistic black metal and (un)sacred industrial/ambient/noise manifestations. Every release by the Oakland combo has been a stepping stone of sorts, showing an incredibly evolving trajecotry in their endless and ever-morphing vomiting of sublime cacophony, and displaying an array of influences and of ways of layering sound that make the band seem completely otherworldly. Like a smoldering, buzzing, hissing and screaming void of monstrous and unshackled chaos, Sutekh Hexen have been (along with their peers Gnaw Their Tongues, BLSPHM, Wold, Theologian, Murmuüre, Thisquietarmy etc.) the authors of some of the most uncompromising, scorching, spectral, and visionary ambient black metal ever put to tape.

DECOHERENCE: Haunting Debut 7" by UK Black Metal Destroyers to See the Light April 5 2019.


Sentient Ruin is honored and proud to partake in the first breath upon this world by debuting UK-based black metal enigma Decoherence. In strict adherence to black metal’s most hermetic and orthodox ways, Decoherence have stripped them selves of any human element to allow the music to solely speak for itself and come from a place of utter inhumanity devoid of any warmth or familiarity. As such biographies, social media, websites, identities, names and the such have been completely ignored in favor of the audio visual elements of the release which remain the sole focal point of the band’s craft and the only thing which the band has deemed meaningful in its hideous and isolationist attempt at communicating its wretched message. What has been disclosed to Sentient Ruin is that all music and recording is by Stroda in the UK, while vocals are by Tahazu, based in the US. 

Musically Decoherence remain firm in their homage to black metal’s proudest and most traditional roots, following in the footsteps of the forefathers of Scandinavian black metal like Marduk, Watain, Mayhem etc, while also vastly exploring uncharted and alien worlds of inhuman origin and mystique through the sapient weaving of grandiose and disorientating structures of pure sonic black matter, akin to those previously explored by bands like Darkspace, Funeral Mist, Aosoth, Leviathan, Skaphé, and Wormlust.

The result are two massive and chaotic movements of distilled and purified darkness incarnated among terrain existence to remind humanity of the darkness and unknown forces that permeate existence and constantly threaten all life, serving the will of entropy, chaos, destruction, evil, and inescapability.

As an initial offering to taste what is tome come, the band have made the first untitled track form the release available for listening over at Invisible Oranges

Symbolizing the blood of humanity being spilled every second in honor of futility and nothing, Decoherence’s debut self-tiled debut EP comes a limited run of 200 clear red vinyl 7”s housed in a custom made fold-over cover of blood red heavy stock silkscreened with black ink, and with abstract horror visual creations lent for the purpose by dark surrealism luminary Stephen Wilson.

Decoherence s/t 7”s can now be pre-ordered from Bandcamp and our store and are scheduled for an April 5 2019 official ship/release date.

HOLD ME DOWN: Sentient Ruin To Unleash Virginia's Nihilist Industrial Act's Debut EP on Limited Edition Cassette.


Sentient Ruin is proud to bring you a straight-to digital/tape "flash release" of the debut EP by Virginia based post-industrial act Hold Me Down, a new band featuring one member of virginian industrial black metal and Sentient Ruin stalwart act AMERICAN. Digitally self-released by the band in January 2019, and now seeing its first proper pressing in physical format, the self-titled EP will come as a limited run of 100 tapes intended to be sold as an online Sentient Ruin exclusive only, and shipping on April 5 2019. These tapes will be available on our store and or at Bandcamp exclusively and nowhere else.

Worshipping directly at the dystopian altar of bands like Skinny Puppy, early Ministry, and Godlfesh, Virginia's Hold Me Down debut with an EP of mezmerising industrial metal chaos and post-modern sonic deconstructionism set to annihilate the mind and torment the flesh with no solution of continuity. Within these seven cold and baneful cuts of mechanical aural pandemonium the listener will be drawn into a lifeless and colorless world of ruin and destruction where machines and deviant technology have replaced flesh and sanity and reduced man to a pale and fading memory, annihilated by its own delusions and exterminated by its own creations and mind. Subtle touches of harsh noise, power electronics, and black metal amalgamated in the mix round out a debut of absolutely mind-defiling cruelty.

LEATHER GLOVE: Experimental Death-Doom Entity Envisioned by Renowned Sound Engineer Greg Wilkinson Readies Massive Debut LP - Track Premiered at No Clean Singing.


Sentient Ruin is proud and honored to renew the unholy pact with Greg Wilkinson after having released his debut demo tape as Leather Glove back in 2016 .

Renowned American extreme metal sound engineer Greg Wilkison (of Brainoil, Deathgrave, ex. Laudanum, ex. Graves at Sea) owner and founder/operator of the legendary Earhammer Studios in Oakland CA (Noothgrush, Necrot, Autopsy, Vastum, Acephalix, Mortuous, Undergang, countless others) brings you his first ever solo full-length effort under the Leather Glove moniker. Standing somewhere between the caveman tank-like death metal approach of Coffins and Undergang, and the hallucinogenic sonic derailment of bands like Swans and Zeni Geva, in this debut long player of deviant and shapeshifting death-doom destruction Greg is aided by drummers Chad Gailey (Necrot, Vastum, Mortuous, Atrament, etc) and Dustin Ferris (Apraxic, Pleasure Cross, Engorged, etc) to unleash thirty minutes of cerebral and disgusting aural mayhem, smashing together death metal, D beat, crust, sludge, doom, and industrial noise to summon a low end monster of deranged experimentalism and of unspeakable heaviness. Ripping guitar solos laid down by bastion Bay Area metal shredders like Sean McGrath (Ghoul, Impaled), Shelby Lermo (Vastum, Ulthar, Extremity), Eric Cutler (Autopsy), and Danny Corrales (Autopsy, Abcess) round out a debut release of absolutely incinerating intensity.

No Clean Singing have premiered the track Reflections of Despair, which you can listen to HERE, remarking on its “immense destructive power”.

Perpetual Animation drops officially on March 8 2019 on tape, digital, and US vinyl via Sentient Ruin, while an EU vinyl version will be handled by Dawnbreed Records. Pre-orders now live on our store or Bandcamp.

Listen as the oscillations rattle your ears and crawl under your skin. If life is the waiting room to hell, then this is the bellowing sounds encapsulating every molecule in the room. Conceptualized by Greg Wilkinson, owner-engineer of Eearhammer Studios in Oakland, Leather Glove is a grim sonic tapestry of pure oppression. The project spawned in Oct 2014 as a recording experiment with a goal to achieve a collection of songs that counter the common production values in modern metal recordings known for punchy, scooped, and clear tones. An antithesis being deep tones, too much mid range, B standard tuning, low vocals, big drum shells and anything else that would make death metal mixing difficult. Oppressive, grotesque, filthy, uncomfortable, and slightly sleazy while remaining intelligible and letting the music speak for itself was the end desired effect.

Greg's debut offering as Leather Glove, was the Skin On Glass demo from 2016, twelve plus minutes of thick textures incorporating elements from d-beat, doom, sludge, and noise rock all smashed through a death metal filter if played on a slow record player. While sounding nothing like the inspirations for this release, a few main derivatives you may detect are: tempos akin to Coffins, grossness and deep tones of Undergang, grooves of Brainoil, and repeating chromatic phrases with delayed guitars inspired by Zeni Geva and Swans. To rhythmically make this possible, Chad Galey, famed drummer for power house bands Necrot, Atrament, and Rude clobbered the skins while Greg filled all other layers, recored, mixed and mastered at Earhammer studio in 2014, while work on debut LP Perpetual Animation commenced soon after.