ANTICREATION: Mysterious Greek Dark Death Metal Legion Reveal Colossal Debut LP "From the Dust of Embers" - Official Music Video for the Title Track Premiered at Decibel Magazine.

We’re honored to welcome into the family Greek black/death metal legion Anticreation for whom we’ve prepared the release of their immense debut album, “From the Dust of Embers", in collaboration with Nuclear Winter Records, also from Greece.

A song from the work has been unveiled by Decibel Magazine via an official music video premiere for the title track which you can find HERE, with the prized metal magazine stating that “If you’re in the mood for unrelenting brutality mixed with abysmal black metal, Anticreation are just the ticket” and that “The combination of slamming death riffs and black metal flavor and depth has a mesmerizing effect on the listener.“

On “From the Dust of Embers" Anticreation emerge from the abysses of hell with a thirty-four minute aural declaration of war toward the insignificance of all terrain things. Monstrous walls of low end dissonance churn and fume like sprawling hellfires, while dark ambient and ritualistic debris metastasizes around the telluric instrumental sections creating a grandiose and enveloping hellscape shrouded in darkness and death. No newcomers to their scene, the cryptic duo of Necro and Noctus who form the core of Anticreation have been sailing the black seas of Greece's most uncompromising underground for literal decades, with Necro in particular having spent the last twenty years forging hellbent steel in such miscreant greek black metal entities as Burial hordes, Enshadowed, and Merciless Crucifixion, among others. Anticreation is a vessel unto fusing Necro's and Noctus' long running expertise in black metal and the duo's interest and fascination in the bleakest and most otherworldly forms of dark death metal, namely that one conceived in various waves by bastions of the genre like Immolation, Portal, Pseudogod and Teitanblood, resulting in their debut offering "From the Dust of Embers", an imposing dark death metal best levitating with an immense aura of complete ruin and inevitability.

Anticreation was born in the beginning of 2021 with the intent of creating sprawling, otherworldly abstract death metal, embraced with lyrics about chaos, death, and nightmarish realms and states of consciousness. Formed by nameless and faceless greek musicians Necro and Noctus, this new rising force represents a new endeavor for both, but particularly for the former, who’s been known for decades in the greek underground for having spearheaded over the years numerous well known greek black metal projects. Now joined by his colleague Noctus in this new entity, Anticreation represents the duo’s intent to branch out far and beyond the confines of black metal to embrace the bludgeoning dimension of death metal in its darkest and most deconstructed states, a realm of violent sonic hallucinations which continues the genre’s ongoing transition into modernity and into increasingly destabilizing abstractionism. This trip into the outer limits of death metal irreality has now metastasized for summer 2022 via the July 8 release of their debut album "From the Dust of Embers", a sprawling and hallucinatory abyss of churning dissonance issued on LP/CD/MC/digital formats by Sentient Ruin in America and Nuclear Winter Records in Europe.

APOSTASY, VENENO, OBSOLETION: Chilean, Argentinian, Brazilian Bands Reissue EPs On Tape Via Sentient Ruin for First Ever Release Outside of South America - All Available Now.

We’re extremely proud to welcome into our Family legendary Chilean thrash legion Apostasy, as well as Argentina black hardcore punk miscreants Veneno, and Brazilian raw punk squadron Obsoletion, all of whom now have their latest works available in the Northern hemisphere for the first time through Sentient Ruin and available immediately via all our channels.

APOSTASY - "The Unknown Path" EP
First off, the release which sanctioned Apostasy's definitive return and majestic transformation into an imposing dark speed metal beast. After having briefly existed in the late 80s and early 90s as a pioneering thrash band in Chile's early extreme metal scene, Apostasy returned in 2018 after thirty years of silence as a changed entity, almost as if its 30 years of dormancy had been lulled and nurtured by mysterious dark forces. While the 2018 comeback LP "The Sign of Darkness" marked Apostasy's return from a dark past to even more malevolent ways, it is 2020's "The Unknown Path" EP, with its heightened production and daring songwriting, which consecrated the legendary Chilean thrash legion as an unstoppable force of darkness. Across the EP's 10+ minutes of pitch-black weaponized thrash domination Apostasy set the tone for their future reign and re-evoke the wrath and brilliance of early Slayer and Sepultura, Sodom and Destruction, mutating that glorious past of thrash metal's darkest hour through the ominous and evil aura of black metal and reinterpreting it through an occult and esoteric form of prog-derived songwriting to reveal themselves as an absolute beast of thrash metal's darkest fringe.

VENENO - “Camino de Espinas” Demo
Buenos Aires' Veneno propagate out of the Argentinan punk underworld with a blistering slab of black and demented hardcore punk vomited from the gutters of pure ruin and misery. An erratic and barely held together metastasis of black bestial punk, the “Camino de Espirnas” demo tape evokes embittered visions of alienation and withdrawal, exalting a musical primitivism and regression that works as an aural mirror to a backward society that is only getting worse and rapidly declining. The blackened vocals complement the album's diseased aura of total filth, spewing vomited and bile-drenched narrative on unrest and social turmoil, while the band's lurid cacophony beats the listener down face first into the dirt with feral abandon. The demo's immanent sense of squalor and abjection seems to echo the work of certain primitive black metal/punk sycnretisms which emerged in the 80s, namely those of Hellhammer or G.I.S.M., materializing one of the crudest and most lightless punk releases that the South American punk underground has produced in years.

OBSOLETION - Demo
Brazil's Obsoletion emerge from the gutters of São Paulo's punk scene with a caustic raw punk deterioration of sanguinary unrest and grim abjection, evoking the despair and turmoil perpetually seething within the wounds of Brazil's and South America's imperialism-devoured and deeply divided and fractured society. In ten minutes of primitive rage and exploded nerves, Obsoletion dissolve the confines of sanity and invoke a primeval war, bringing together the wrecking vitriol of iconic raw hardcore acts like Cult Ritual, Gag, Glue and Raw Nerve to conjure the same darkened visions of a collapsed society and instigate primal instincts of boundless retaliation and upheaval.



ASSUMPTION: Italian Death-Doom Behemoths to Release Colossal New Album "Hadean Tides" - Tracks Premiered at Decibel Magazine and New Noise Magazine.

We’re proud to bring you "Hadean Tides" the new full-length album from Italian death-doom titans Assumption, coming out May 20 2022 on 2LP for the Americas, digital and cassette tape via Sentient Ruin and on 2LP for Europe, CD and digital via Everlasting Spew Records from Italy.

Introducing the immense opus have been two advance tracks, one premiered by Decibel Magazine (read their feature HERE), and one by New Noise Magazine (read their feature HERE) and with the contribution of the No Gleaming Light and Death Metal Promotion YouTube channels, with Decibel stating that the “track is a fantastic glimpse into the album’s power. Hadean Tides is the type of album that feels like stepping into a parallel dimension where oceans are full of fire. Drown in the flames and press play below.”

The Italian death-doom titans return with "Hadean Tides", their colossal new full-length album and first new work of new material in four long long years. "Hadean Tides" sees the Italian quartet take their dismal experimental slow moving death metal formula into a realm of absolutely soul-disintegrating majesty, unfolding nearly an hour of abysmal downtuned crawling carnage immersed in contemplative dirges and mesmerizing ambience. Few underground extreme metal bands these days are capable of evoking such grandiose visions of aphotic dimensions and of shifted states of consciousness as Assumption can conjure through the hallucinatory immensity of their transformative death-doom. Yet, "Hadean Tides" sees the Italian band seemingly dwell on a plain of creative clairvoyance unto its own, once again shattering boundaries and exalting an endless stream of influences and boundless sonic exploration to reaffirm themselves as absolute prophets of this visionary death metal transcendence where cavernous gargantuan riffs and supernatural ambient soundscaping interweave each other and are trapped within an inextricable time dilation to form a monstrous aural hallucination adrift unto the abyss. The massive album displays an unseen plethora of chromatics and manifestations of self, adding keys, strings, choral chants and flutes to the absolute crush-depth to mutate effortlessly between the dismal bleakness of bands like Evoken or Esoteric, the comatose encrusted cavernous rot of death-doom legends like Winter or Disembowelment, and the enigmatic ambience abstractions of ethereal experimental bands like Dead Can Dance and Trial of the Bow. The band's masterful melding of styles and transformative approach to the death-doom style incarnates as an absolute colossus of enveloping atmospherics enshrouding a magma of monumental death metal riffs that faces the listener with a deeply spiritual and cinematic listening experience with an immense apocalyptic aura.

The band was formed around 2011 by two fixture figures in Italian extreme metal hailing from such bands as Haemophagus, Gravesite, Stasis, Undead Creep, Morbo etc. Upon conception the duo set out to write desolating and majestic death/doom metal entwined with mind-expanding psychedelic passages that would place the listener at the center of a vacuous and hallucinatory realm of collapsing existence and omnipotent emptiness, conjuring the same surreal and otherworldly atmospheres and moods as seen in legendary progenitors of the genre like diSEMBOWELMENT, early Esoteric or Thergothon. After their suffocating debut demo tape/CD Mosaic of the Distant Dominion saw the light in 2012, Assumption followed up two years later unleashing in 2014 an undisputed masterpiece in the genre, the monstrously colossal and bludgeoning The Three Appearances CD (released on Terror from Hell Records) now hailed by many as one of the best examples of extreme death/doom of the last years. Plans for a vinyl release of the devastating MLP never materialized but the band carried forth in their sonic exploration of outer realms of existence reconvening soon after to write and record their most majestic and soul-disintegrating opus to date - the colossal three-track MLP Absconditus saw the light in spring 2018 through Everlasting Spew Records in the EU (CD/LP), and Sentient Ruin in the US (MCS/LP), followed by their most majestic and imposing chapter yet, "Hadean Tides", in 2022.



HOLD ME DOWN: American Industrial Metal Unit Unveils Annihilating Debut Album "Powerless" - Official Music Video Premiered by ReGen Magazine.

Richmond, VA-based harsh industrial metal deconstructors Hold Me Down reanimate their design for total sonic retaliation through their latest creation, "Powerless", a debut full-length offering of caustic post-industrial punishment and complete sensorial undoing which follows brilliantly in the steps of their transformative 2019 Sentient Ruin-issued self-titled demo tape.

The album has been unveiled officially by iconic Industrial outlet ReGen Magazine, who’ve premiered the music video for the song “STK” stating that the band’s video is a “frenetic visual accompaniment for the song’s mix of dissonant electronics, discordant guitars, and demonic vocalizations” - you can check out the feature and song/video HERE.

As is now commonplace with bands and their releases associated with Sentient Ruin, an aura of ambivalence, reverence and transformation enshrouds this work, with the echoes of legendary industrial acts like Skinny Puppy, Ministry, Godflesh and Swans reverberating from the past and undergoing a future-projecting metamorphosis, as present time contaminants (power electronics, blackened noise, death industrial) enter the picture in an aberrant recombination of stylistic DNA, paving the way to groundbreaking and grim sonic transfigurations. Throughout its ten cold bursts of synthetic mechanized dissolution Hold Me Down explore concepts of withdrawal, personal failure, societal fracture and emotional unravelling through a bleak post-industrial disassociation where disorienting drum machines, vitriolic metal guitars, bleak soundscapes and oppressive electronics instigate a depersonalizing collapse within the listener. As the album's title suggests, the medium of harsh and sensorially annihilating industrial synthesis is the centerpiece to this new work, wielded by the band as a dissociative means, or as a schematic to the dismantling of the listener, who ultimately must be rendered powerless, nothing more than an empty reflection of its surroundings and existence, with the music acting as its cold and implacable ruiner. A bleak projection of reality emerges from this design, boring through consciousness with surgical precision to destroy it from within, leaving nothing but a smoldering wreckage in its wake.

Hailing from Richmond, Virginia, Hold Me Down emerged from the local industrial and art metal scene when vocalist and noise musician Jim Gullickson linked up with local industrial musicians David Hoefer and Ben Rinehardt who around then had just begun laying the foundations for their next endeavor. Gullickson had just put on hold is previous band, black/sludge/industrial duo and early Sentient Ruin alumni AMERICAN, and in order to keep his momentum going was looking for the next outlet to give voice to his creative impulses and passion for underground industrial. The band debuted unleashing a punishing blight of mechanized death and throbbing industrial in the form of their self-titled 2019 debut Sentient Ruin demo tape, a deadly revisitiation of the sounds pioneered by iconic machinists such as Godflesh, early Ministry, Skinny Puppy, and SWANS, but with a modern, deconstructed edge. The quickly sold out demo tape featured seven tracks of total nihilism sequenced and synthesized to pound and drone to the beat of inhumanity, while subtle touches of harsh noise, power electronics, and black metal amalgamated in the mix completed a sonic assault of absolutely mind-defiling cruelty. This release cemented the band’s sound and laid the groundwork for their annihilating debut full-length LP “Powerless”, also released by Sentient Ruin on MC/LP/digital formats in mid 2022.

NITE: Sentient Ruin Issues Tape Version of New Album "Voices of the Kronian Moon" from San Francisco Blackened Heavy Metal Warriors - Cassettes and Full Stream Available Now.

San Francisco's Nite rejoin Sentient Ruin once again to bring us another unforgettable blackened heavy metal epic, in the form of "Voices of the Kronian moon", their brand new second full-length album offered you by Sentient Ruin as an exclusive limited edition cassette tape officially licensed from Season of Mist.

On this new heroic chapter of darkness-forged steel, the San Francisco heavy metal blazers (who feature current and past members of Satan’s Wrath, High Spirits and Dawnbringer) double down on their unique and fascinating formula to pack in another staggering forty-minutes of blazing leads, unforgettable riffs, and absolutely earth shaking songwriting to redefine the ancient undying heavy metal flame and catapult the genre into the future. The band's well established and unique fusion of styles builds further upon the captivating foundation laid on their pervious staggering debut album "Darkness Silence Mirror Flame", and is evolved further and rendered even more epic and evocative, fusing the timeless power of NWOBHM with dark blackened vocals and enthralling atmospheres to tell us an unforgettable tale of dark lore, electrifying fantasy and otherworldly heroism. "Voices of the Kronian moon" displays an unparalleled array of chromatics as it effortlessly swings between the galloping epics of Iron Maiden and 70's Judas Priest, the unrivaled harmonies and hooks of legendary hard rockers like Scoprions and Thin Lizzy, and the malevolent shadow-born esotericism of darker acts like Hellhammer and Amebix.

Nite was formed in San Francisco CA, in 2018 by Van Labrakis (Satan’s Wrath, Mencea), Scott Hoffman (Dawnbringer, High Spirits), Bryan Coons (Older Sun, Motorhome) and Pat Crawford (Serpents of Dawn, Older Sun). Unapologetically classic yet aesthetically and stylistically transformative, the band delivers traditional heavy metal heavily influenced by the NWOBM and the heavy metal titans of the 70s and 80s paired with blackened malevolent vocals, a fusion of elements which has resulted in an epic, majestic, yet spectral and cryptic sound. Their highly original syncretism of different ancestral ingredients of heavy metal brings us back to a golden age of the genre when when razor sharp guitars, blazing leads, earth shattering bass and pounding drums were already a long established pillar of the style, being first faced with the rise of evil growled vocals of bands like Venom and Possessed without ever actually meeting, a communion which Nite accomplished forty years later with masterful effect to unfold their own personal sonic storytelling of horror, darkness and despair. Nite’s debut album "Darkness Silence Mirror Flame" was released on Vinyl, CD and streaming from Creator-Destructor Records in March 2020 to critical acclaim, and re-issued on cassette tape via Sentient Ruin that same summer. The second album "Voices of the Kronian moon" followed in 2022 this time via Season of Mist but with Sentient Ruin again licensing a cassette version.

SHADOWS: Chilean Heavy Metal Cult Issues Debut Demo "Into the Nightmare" Via Sentient Ruin - Full Stream and Tapes Available Now.

We’re honored to introduce Chilean heavy metal masters Shadows, whose official debut demo tape “Into the Nightmare", was reissued for western/northern audiences on March 25 2022 with new artwork after an initial limited run of cassettes with different artwork was self-released by the band in 2021 in their native country of Chile. This masterful debut offering serves as anticipation to their first official debut full-length album which will be released by Sentient Ruin in the coming months.

Influenced by legendary acts like Alice Cooper, Judas Priest, Mercyful Fate and King Diamond, Shadows' debut demo delivers the fire and intensity that every true heavy metal fan will never want to stop hearing; one of searing leads, fire-breathing riffs, unforgettable hooks, and adrenaline-pumping intensity. These three tracks (plus one interlude) contained in the "Into the Nightmare" demo tape introduce us an act at the top of its game and in the throes of unseen and transformative realms of inspiration, as they astonishingly reinvent the metal wheel (and the steel) once again. In a time and place where we all thought we'd heard and seen it all before, this demo serves as a staggering reminder of how and why heavy metal is such an eternal force, how alive and vigorous the heavy metal flame is throughout the world, and of how much it still has to say and give to its devoted fans worldwide. From the opening riff of "The Ripper", to the closing doom-laden crescendo of the title track, everything about the "Into the Nightmare" demo celebrates, re-imagines, glorifies and eternalizes the immortal and undying flame of heavy metal, putting on display such a wide array of tricks, inventive and songwriting excellence to have effortlessly opened the gates to a higher order of its expression and adding a new perspective and dimension to the genre in a mere twelve minutes and fifty seven seconds of unrivaled riff dominance and heavy metal mastery. The occult/esoteric atmospheres, the subtle yet clever use of organs and keys, the spirited sinister vocals, and the gothic, gloomy vibes just serve as a majestic and timeless script to a blazing guitar centerpiece which throughout the demo's short but unforgettable duration appears to dwell on a higher level of flawlessness, brining us one of the most guitar-centric and riff-oriented heavy metal jewels the South American underground has gifted us in ages. Yet this, is nothing but the beginning...

Behind the moniker Shadows is enigmatic mastermind John Shades, actually a pseudonym of Chilean heavy metal musician Cristián Silva (AKA Chris Profaner) of long running Thrash legion Apostasy. Silva formed Shadows in 2021 as vessel to explore his love for older and more moeldic early heavy metal, a style which wouldn’t be fit for the blackened thrashing fury of his main band Apostasy, so he decided to create a whole new band for the purpose. Shadow’s still untitled debut full-length album will also see the light via Sentient Ruin closer to 2023.



PROUSTED: Argentinian Raw Blackened Hardcore Punk Entity Unveils Blistering Debut Demo - Track Premiered at No Echo.

We are proud to welcome into our family Argentinian one-man raw dark hardcore punk entity Prousted, whose obliterating debut Demo will be released via Sentient Ruin on limited edition vinyl 7” and on digital/streaming platforms on April 1 2022. The release is pre-orderable now via all our channels and has been introduced by the always attentive hardcore/punk/metal blog No Echo, who’ve premiered the opening track from the work remaking how this debut offering is “a blown-out, nightmarish affair“ and that the band should appeal to “fans of Gehenna, Blasphemy, and Integrity”. You can read their feature and check out the track HERE.

The light-draining debut release brings us three tracks of blistering and misery-infused sonic darkness and negativity. With its raw, disintegrating sound, this catastrophic debut demo fuses the bitterness of dark hardcore punk bands like Dropdead and Siege with the grimness and destruction of war-torn black metal bands like Revenge and Blasphemy to cast the genre down into a dark abyss of total suffering and terror."

Prousted have risen from the distant yet flourishing punk scene in Buenos Aires, Argentina, with a sound of puzzling dread and of rife negativity. The band derives its enigmatic namesake from the later life period of French writer Marcel Proust, who, in his final years, became increasingly recluse and self-isolated from the world, allegedly going so far as to lining the bedroom which he never left with cork in an effort to achieve a condition of complete sensorial isolation from the outside world. This is the state which the band attempts to convey with its music, discharging a blistering, cold, and alienating sensorial assault that devours all light from the listeners surroundings and obliterates their senses to reduce them to a state of terrified, detached and traumatized isolation. To achieve this grim design Prousted have opted for a destroyed and shattered production quality and enacted an experimental fusion of styles which brings together the anger and bitterness of dark and violent hardcore punk, with the chaos and negativity of black/war metal bands like Revenge or Blasphemy. This unison of rabid and sickening rawness juxtaposed to the band’s unique and sophisticated fusion of genres has materialized an alienating and caustic collision of sounds designed to face the listener with the most crippled and overwhelming states of terror.







GOLGOTHAN REMAINS: Australian Dark Death Metal Cult To Release Immense Sophomore LP "Adorned In Ruin" - Track Premiered at Toilet Ov Hell.

We’re extremely excited to renew our collaboration with Australian dark death metal cult Golgothan Remains, with whom we’ve set an April 1 2022 release date for their absolutely immense new album “Adorned in Ruin”, to see the light on LP, CD, MC, and digital/streaming formats in collaboration with Brilliant Emperor Records (handling the release for Australia).

The release has been anticipated by iconic extreme metal blog Toilet ov Hell who’ve provided a glimpse into the album via en exclusive stream of the album’s opening track “Adoration of Carnal Blaphemy”, stating that the track is a “4 minute sprint through hell, with a main riff that calls to mind the bludgeoning sacrilege of Immolation and Incantation as much as the uncanny howls and ebbs of Suffering Hour and Ulcerate.“

The Australian dark death metal horde return with their cataclysmic sophomore LP, a thirty-minute weapon of absolute oblivion forged by the force of pure darkness and chaos. This new full length offering sees the Sydney extreme metal cult heighten and elevate their own vision of a dark future-shaping death metal to its most devastating form yet, pushing the genre beyond a state of weaponized majesty and assembling an imposing and magnificent sonic beast shrouded in destruction and otherworldly atmospheres. The band's staple onslaught of enveloping dissonance and unyielding intensity indeed reaches the pinnacle of its expression on "Adorned in Ruin", as various currents of black and death metal, old and new, are brought together by the band to create a transformative hellscape where futuristic and visionary atmospherics, sprawling songwriting and primeval violence are masterfully interwoven into omnipotent bedlam. Animating the imploding intensity and cascading chaos harbored at the heart of the album, one can easily parse the mind-bending guitar abstractions reminiscent of modern masters like Ulcerate, Abyssal or Phobocosm, yet the work resonates vigorously with the wrath and feral abandon that made Immolation's or Deicide's early dark death metal such a bastion of chaos and darkness decades ago. It is this encompassing yet future-reaching and visionary approach to the death metal craft, leveraging various of its eras, which has yielded such a majestic and imposing beast of an album. An intimidating dark death metal behemoth that emanates with an aura of apocalyptic immensity as it churns with the violence of godly destruction and feeds from the very depths of oblivion, casting monstrous shadows across a scorched wasteland and evoking visions of grandiose future wars and endless ruin devouring the earth.

Golgothan Remains have been darkening the world with their own strain of shadow-fueled aural mayhem since at least 2016, when their self-tiled debut demo appeared in the Australian underground establishing them as masterminds of a previously unseen new lineage of dark death metal annihilation entirely their own. Spewn from a place of utter chaos and lightnesses, on their inaugural offering Golgothan Remains' wretched craft instantly revealed itself in all its apocalyptic enormity, shrouded in a monstrous aura, and unfolding massive black wings like a beast spawned from another dimension. Upon unleashing the obliterating demo the band spent the next year crafting what would become their debut LP - Perverse Offerings to the Void, recorded at Adversary Studios in Sydney in early 2017 and mastered in 2018 at Audiosiege by Brad Boatright (Altarage, Vastum). Perverse Offerings to the Void was self-released in Australia on CD and tape by the band before being picked up for a local vinyl release by Australian label Impure Sounds (on 100 units only becoming and instant collector's item) and eventually ending up being hailed as one of 2018’s best Australian metal albums and one of the crowning achievements in death metal over all for that year worldwide. With a sound both modern and timeless, on Perverse Offerings to the Void Golgothan Remains have stitched together the ageless brutality of bands like Incantation, Immolation, Necrovore, and Morbid Angel on one side, and the transformative sonic bedlam of visionary bands like Ulcerate, Dead Congregation, and Adversarial on the other, to create a majestic extreme metal colossus of unseen magnitude, completely unrestrained in its famished quest for complete ruin, and magnificent in its imposing display of pure darkness.