We’re happy to announce our partnership with Chilean bestial goregrind morgue-stalkers MORS.VOID.DISCIPLINE and announce their pulverizing debut album "Txketh)ëké", coming on March 13 2026 on LP, CD and MC formats and pre-orderable now via all our channels.
Leading up to the gruesome release, legendary extreme metal blog No Clean Singing have premiered the song “Sanguinem In Anum Caprae Putrescentis Eiaculans“ claiming that the band’s music is “all inhuman, it’s all unhinged, it’s all hideously toxic. And it’s exhilarating, muscle-moving, well-structured and perversely addictive.“ - you can check out the feature and song HERE.
MORS.VOID.DISCIPLINE emerge from the bottomless dungeons of South America's extreme metal underground with their debut full-length monstrosity "Txketh)ëké", a twenty-minute obfuscation of terror-spawning bestial war metal destruction swathed in the flesh-eating violence and maggot-infested putridity of 90's goregrind. Cryptic and malignant beyond thresholds comprehensible to man, "Txketh)ëké" projects forth a cancerous aural perversion in which the war-mongering assaults of Blasphemy collide with early Carcass' mangled and deconstructed sonic butchery. Its astonishing hideousness and violence are not only shaped by its unequivocal descendancy, but further complexed by the peculiar antediluvian and occult aura historically permeating Chile's underground scene, as well as by the band's enigmatic inner workings and imagination harvesting perversions from beyond the reach of sanity. Slithering coils of vomitous, pitchshifted vocals proclaim the unutterable in arcane tongues long forgotten by men, regurgitating a noxious mass from within a hellish cauldron of dissonant, nuclear vice, and invoking absolute adherence and submission to a cult of death and darkness untouched by any light. The album's title is an anagram of words related to Solomon's demonology and multicultural esoteric warfare, and the band's concept and lyrics metastasize within the terrorscape as a deranged worship of evil reclaiming sacrifice through the destruction of human anatomy. Few crafts conglomerate in human mind as entities so committed to cruelty and devoted to destruction as this one, yet MORS.VOID.DISCIPLINE endure as yet another inscrutable product of an unrivaled scene whose isolation, remoteness and purity remain undying vectors for unparalleled world-building and musical transformation.
MORS.VOID.DISCIPLINE formed in the early 20’s emerging from their country’s burgeoning extreme metal and experimental circles, spread across the cities of Algarrobo, Valparaíso and Talca. The three members at the core of the band include MYI from Sentient Ruin-signed death-doom solo act Miasma of Occvlt Limbs on guitars and bass, and co-conspirators Odor Cadaveris on vocals and J.F. on drums and electronics, the latter two of which are regulars in their local black noise, dark ambient, and cybergrind circles. Loyal as ever to, and inevitably derived from, Chile’s somewhat isolated and uncontaminated music scene, MORS.VOID.DISCPLINE have developed traits derived from both the Canadian war metal scene as well as from the UK’s iconic early 90’s goregrind scene spearheaded by Carcass, but convergently evolved from those influences and further developed autonomously from within the Chilean scene’s self-contained extreme music culture. The bestial destruction of Blasphemy and Carcass’ repugnant violence thus collide into an utter aural monstrosity which is however neither the simple sum nor the predictable outcome of its influences. Ample use of keyboards and a wielding of the arcane, antediluvian atmospheres typical of Chilean heavy and extreme metal bands have pushed MORS.VOID.DISCPLINE’s music into completely uncharted waters, and into a realm where extreme metal dwells on a plane of cryptic and malevolent spirituality where occultism, ritualism and esotericism build new and unseen pathways to catastrophic audial torment. Demonology and esoteric warfare fall into the band’s abysmal picture of human annihilation through forced darkness, using goregrind’s mockery and humiliation of human anatomy and bestial black/death metal’s warmongering ritualism to evoke an ultimate and inescapable ritual of desecration to all of human essence and dignity.