CRYPTAE: Dutch Experimental Raw Death Metal Absurdity Announce New Album "Capsule" - Pre-Orders Posted and New Song Premiered by Last Rites.

We’re extremely proud to announce that Dutch experimental raw death metal absurdity Cryptae are about to return with their second full-length deformity, "Capsule", their most aberrant, delirious and labyrinthine (master)piece of anti-music yet.

To coincide with the announcement the opening track “Pearl” has been revealed by underground metal blog Last Rites, who in introducing the mind-bending track explained that with this song “the band are dead-set on turning death metal inside out, seeing just how creative they can get in sculpting within the primal, primitive framework they set for themselves.”. You can checkout the track and read their in-depth detailed introduction to the album HERE.

Conceived through a deconstructed and radicalized approach of "less is more", this new chapter of conceptualized insanity sees the deranged duo of drummer/vocalist Rene Aquarius and guitarist/bassist Kees Peerdeman starve and disassemble death metal from within, as they explore a cryptic concept revolving around marine life and its abysses teeming with absurd and marvelous life forms. The staple high contrast minimalist/maximalist experimental approach of Cryptae in deteriorating the familiar fabric of death metal and finding new and insane ways to dismount and reassemble the genre through delirious aural experiments, this time reaches truly extraordinary and implausible new dimensions of the absurd. Entire strings of death metal's DNA are removed and replaced with components from other genres in a deranged and playful act of stylistic disfiguration, yielding deformities unending and essentially crippling the genre into an incomprehensible, skeletal mutation. A violently malformed and enigmatic abstraction arises from this delusion, through the forced abortion and abolition of all musical canons and decency, triggering a marvelous rebirth through conceptual annihilation and spasmodic nonconformity which is set to challenge and destabilize our perception of extreme metal at the deepest levels. A glitched and distorted sonic fractal of demented improvisation drives Cryptae's crippled and deconstructed raw death metal experiment, as primitive raw (post)-punk, repetitive and bludgeoning industrial, schizoid no-wave, and jazz-derived free-form backward moving meters and compositional oddities all do their part in completing a musical jigsaw of rare genius and hideous inventiveness.

"Capsule" CD, MC, and digital pre-orders are available now via all our channels, while a vinyl edition will arrive later in 2023.

Strikingly unique, visually insane, and sonically decimating, Netherlands-based Cryptae are an extreme metal anomaly devoted to the most liminal and cerebral extents of sonic deconstruction and to the most aberrant thresholds of experimentalism. With a background of its two members forged within the abstract and improvisational realms of free-jazz, noise rock, industrial, and shapeshifting avantgarde, Cryptae have shown astonishingly calculating levels of insanity in crafting their own vision of modern experimental extreme metal, spewing forth a maze of deviant and bludgeoning death metal chaos that aims straight at the listener's central nervous system with the intent of dismantling their every layer of sanity directly from within. The two sociopaths behind the project are primarily involved in many industrial and experimental entities like Dead Neanderthals and Celestial Bodies to name a few, showing just how diverse and enigmatic their background and influences are, an aspect of their creative DNA which has irreparably shaped the madness and delirium which permeates Cryptae. A careful and demanding listener will notice that beyond the utter chaos and destruction summoned by the duo through a meticulous reinterpretation of 90's most structurally ambitious and punishing death metal (Incantation, Immolation, Morbid Angel), lies a realm of ungraspable and disorienting experimentalism which has tapped into influences as diverse and absurd and Swans, Magma, and Discharge - making Crytpae one of the most deranged and visionary death metal oddities to appear in Europe in recent times.


IMPUGNER: Norwegian Death Metal Cult to Issue Debut EP "Advent of The Wretched" - Track Premiered at No Clean Singing.

Norwegian death metal cult Impugner (featuring members of Diskord, Deathhammer, Brainshock, Desolation Realm and Lobotomized) reissue their debut mini-album "Advent of the Wretched" worldwide November 4 2022 on CD via Sentient Ruin and on cassette tape via Caligari Records, after a limited self release tape had surfaced in Norway via the band back in 2021.

Remastered and repackaged with new artwork, the work has been presented by No Clean Signing via an exclusive stream of the opening track “Ostracized Vitality”, with the famed metal blog elaborating that the bands music is “crawling in misery and oozing with pestilence and decay” - you can check out their feature HERE.

"Advent of the Wretched" brings us back to the early and formative years of death metal when bands like Autopsy, Death, Pungent Stench, Nihilist, and Darkthrone in their "Soulside Journey" era were issuing their first works and laying the groundwork for what would become the perfect symbiosis between the gruesome morbidity and the executional excellence which has made death metal so loved and revered thereafter throughout the decades. In the same manner, and with a strong emphasis on traditionalism and timelessness, on this already iconic debut offering Impugner unfold a masterful slab of arcane-sounding death metal untouched by evolution and oozing with schizoid atmospheres, a putrid production quality and a demented prog-derived songwriting highly reminiscent of Morbus Chron, Obliteration, or of the aforementioned founding masters. The choice of using art for the work licensed from the Edvard Munch estate in Norway is just another sign of this band's insanely tasteful vision and of its deliberate approach in crafting the death metal art in a way which favors a sense of timelessness, unpredictability and a strict adherence to its primordial strengths and vision of it being, and forever remaining, a timeless art of the absurd.

RIGOROUS INSTITUTION: Portland, Oregon-Based Apocalyptic Crust Punk Prophets Issue Mesmerizing Debut Album "Cainsmarsh" on CD via Sentient Ruin.

Portland OR dystopian crust punk prophets Rigorous Institution arise with their first full-length album,"Cainsmarsh", an apocalyptic experimental punk/metal monolith risen on the heels of several EPs and demos littered throughout the underground in the past few years which had hinted at, but not yet fully revealed, until now, the breadth and magnitude of the band's visionary and highly philosophical blend of crust and anarcho punk, proto-metal, and ambient-infused spoken word and literary experimentalism.

“Cainsmarsh” will be released by Sentient Ruin on limited edition mini-gatefold CD with disco bag and eight-page booklet on October 21 2022. The album was previously issued earlier in 2022 as a vinyl/digital release via Black Water Records (US) and Symphony of Destruction (EU), while a CD release for Malaysia was done via Black Konflik Records.

Drawing inspiration from a diverse and transformative plethora of influences such Amebix, Killing Joke, Rudimentary Peni, Dead Can Dance, Antisect, Voivod, Venom, Motorhead and Swans, Rigorous Institution take the listener on a grim ride deep inside the realms of human failure and of societal contradiction, unfolding an apocalyptic dystopian inversion which reveals mankind still chained to its feral and animalistic origins while failed technological and cultural illusions punctuate the inevitable human wasteland, motionless like ancient ruins, lost in a twilight of dissolving history and broken dreams. "Cainsmarsh" brings us back to a russeaunian savage age disfigured by biblical antediluvian anecdotes where mankind's flawed primeval negativity and innate failures drag society and progress back into a primitive dark age of violence, injustice and turmoil, and the band's music orchestrates and soundtracks this atavistic downfall with masterful vision and prophetic anachronism, fusing derailing metal riffs, filthy crust punk primitivism, tense progressive passages, schizoid oracular spoken word and ominous keyboard-laden atmospheres into a dark tale of downfall, sinister presages and unravelling hope.

Rigorous Institution arose in 2018 coalescing around veterans from their punk and metal scene and soon developed a highly visionary syncretism of punk, metal, and avantgarde experimentalism enhanced by DYI art and visuals, poetical spoken word-like vocals and lyrics, apocalyptic atmospheres and a profound influence coming 19th and 20th century philosophy and religion, particularly those currents dealing with dystopian anthropocentrism, human nature and literary retro-futurism. Several EPs and demos surfaced over a span of four years, invaluable documents showcasing the growth of a highly experimental band with a prophetic sound rooted in the evocation of future or alternative realities centered around the inevitable flaws and downfalls of man. Similar characteristics had been observed throughout heavy music history in other now legendary bands, particularly those emerged from the glorious 70s and 80s UK punk scene which eventually birthed sub and side genres like post-punk, anarcho-punk, crust and other vanguards like industrial and noise, particularly acts like Killing Joke, Amebix, Antisect, Rudimentary Peni, Throbbing Gristle, and Dead Can Dance. This similarity with the glorious UK scene can be traced back to the band's intent of using punk music as a mind-expanding medium for dark and cinematic intents, to provoke deep and conscious-moving thoughts in the listener and approach the music creation process from a visionary angle in which history, philosophy, art and literature are all combined into a prophetic and future-reaching approach. The band's sound and aesthetic incorporates keyboards, retro-futurist, post-industrial and post-modern inspired DIY visuals, and deeply philosophical and apocalyptic lyrics that all combined evoke a near-hallucinatory, tense, and otherworldly dreamscape clad in darkness and hopelessness. All this breadth of visions, sounds, influences and concepts found its sublimation in the band’s 2022 debut-full length album, “Cainmarsh”.


APOSTASY: Legendary Chilean Thrash Legion Reissues 2021 Masterpiece "Death Return" on Vinyl.

We’re proud to bring you the immense third full-length album in thirty five years from Chile's legendary thrash legion Apostasy, finally reissued for the first time ever with proper vinyl mastering from the source mixes and with a brand new graphic layout. "Death Return" vinyl is available now on limited edition neon yellow vinyl and standard black vinyl via all our channels for North America and via Fallen Temple in Europe.

The unchallenged sonic assault sees the Chilean masters rise to unseen peaks of excellence and destruction as they unleash the most towering and punishing beast in their three-decade-plus career and harness the quintessence of total thrash domination. This is not only the glorious past of speed metal's finest hour reclaiming its darkened throne, but the future of the genre all together. A dark future in which thrash metal reconnects with its evil and nefarious roots to summon complete hell on earth and reignite the black flame first sparked by bands like Slayer, Sodom and Sepultura back in the mid 80s when the genre was still very much a vessel for apocalyptic visions of a world drowned in blood, war, violence and evil. In a perfect and flawless forty-minute assault of war-torn aggression and shellshocking intensity, Apostasy deliver an absolute payload of death and terror, discharged at breakneck speed and weaponized into form by an implacable firestorm of blackened riffs, ominous atmospheres, razowrire leads and malefic screams ripping from he bowels of hell.

"Best kept secret" or "underrated" are terms too easy to toss around when it comes to Chile's legendary thrash legion Apostasy. All of those remain understatements that don't even begin to describe the true power and brilliance of one of South America's greatest ever underground metal bands, and conversely, the unacceptable and unexplainable lack of broader recognition they've struggled with over the decades. Apostasy emerged in the late 80s from Chile's metal underworld with a dark and evil trash assault which was perhaps even too ahead of its time and uncompromising for the time and place in which it emerged. Reminiscent of darker practitioners like (early) Sepultura, Slayer, Sodom, Kreator, Destruction etc, Apostasy have always treaded the outlines of the extreme, carving out a recognizable identity for themselves by always keeping a foot in the occult and esoteric shadow of black and death metal while staying true to thrash metal's militarized and belligerent ways as we've come to know it through its western most popular acts. The band's origins and first era can be traced back to the early frontline of Chile's Valparaíso metal scene in late 80's, in an epoch in which thrash was still a rising new threat traveling at supersonic speed on the heels of the success of Slayer's and Metallica's first legendary albums from the mid 80's. Apostasy's first incarnation emerged spearheaded by multi-instrumentalist Cristián Silva in the wake of this metal renaissance ignited by the legendary first ever thrash wave, a short yet fruitful burst which culminated and ended with the 1991 debut album "Sunset of the End", after which the band dissolved into the same obscurity it had emerged from, living almost literally by by thrash's infamous dogma: live fast, die young. Thirty years later, Silva decided that Apostasy hadn't quite said everything it had originally been created for, so he assembled a new lineup and initiated the band's triumphant return from the shadows of oblivion, issuing a string of demos before returning in 2018 with its sophomore comeback album, "The Sign of Darkness", a wrathful and weaponized speed metal beast that saw the band full-frontally embrace the darkest fringes of extreme metal while elevating its ancestral trash identity to a new modern height of destructiveness. How the band could demonstrate to be a vanguard at the forefront of trash transformation across three decades is anyone's guess, but despite its long hiatus it was as if the band had never ceased to exist, and at its every (re)emergence Apostasy demonstrated that no matter the era it was active in, it always represented and stood by the the genre's most uncompromising and visionary underground fringe. In 2020 "The Unknown Path" EP followed (self-released by the band on cassette and reissued on cassette in 2022 by Sentient Ruin for western audiences) showcasing a more meticulous approach to production and an even more pronounced convergence from traditional thrash toward the darker spectrum of black and speed metal. This EP was essentially a premonition to the band's most triumphant and dominating work, "Death Return", a new 2021 full-length offering which saw Apostasy fully morphed into an otherworldly dark speed metal fire-breathing beast. Fusing the unforgettable wrath of Slayer, early Sepultura and Sodom with the obscure and malevolent crafts of Chile's contemporary and now flourishing underground death and and black metal cults, "Death Return" emerged from the South American extreme metal underground like a dark weapon of total annihilation, standing tall as one of the greatest accomplishments in modern thrash, and as one of the greatest South American underground thrash records in recent years.



VESSEL OF INIQUITY: UK Industrial Black Metal/Noise/Grindcore Act Issues Annihilating New Album "The Path Unseen" - Track Premiered at Last Rites.

We’re proud to announce that UK industrial black metal/noise/grind nightmare Vessel of Iniquity is back with its third official full-length album "The Path Unseen", a rogue abomination set to blow yet another smoldering wound into the fabric of consciousness via unconceivable deconstructions of reality and through a deviant approach to music creation aimed at harnessing absolute terror and mimicking the final stages of sanity.

The new work has been introduced by notorious underground music blog Last Rites who in reveling the opening track “Blood Magic” via an exclusive premiere has remarked how the track “evokes hypnotism though brutality […] both in terms of technicality and deliberately sterile, cold, inhuman delivery.” - you can read their lengthily feature and check out the track HERE.

Introducing eight-string guitars for the first time ever, on "The Path Unseen" sole mastermind A. White has made a stylistic and sonic shift aimed at rendering his beast an even more lethal and oppressive force than ever before. The switch to eight strings has given the project abyss-like traits, as a death-bearing payload of low end frequencies and bottom end crush-depth of near-inescapable traits is added into the mix rendering the project essentially irreversibly damaging. The unrelenting outreach and research for the most weaponized and exaggerated forms of aural annihilation conceivable are now ever so evident in the project as Vessel of Iniquity morphs once again, release after release, seeking new ways to dissolve reality and suck the life out of its surroundings with black hole-like constructs of inescapable and all-devouring terror, which also showcase with unmistakeable evidence the fiercely experimental and constantly evolving nature of the project. Aside from the outlandish experiments in inconceivable fretwork annihilation, the catastrophic work is completed by its staple assault of carpet bombing drum machines, tectonic noise constructs and monstrous industrial abstractions that all play their unforgiving role in assembling this obliterating sonic nightmare of the underground which is becoming more and more the embodiment of pure fear and terror and an increasingly recognizable heirloom to the endless quest for the absolute extreme.

British multi-instrumentalist, soundscaper, and audial deconstructor A.White has been hammering away at some of the underground’s most puzzling, obscure, and terrifying artifacts for the better part of the last two decades. Largely recluse and solitary in his activities aside from a few defunct collaborative efforts, most of his body of work has revolved around his home studio and both the possibilities and the limitations which such a setup implicates, spanning various declinations of ambient and experimental work that have as connecting thread the extensive use of drum machines, electronic soundscapes, industrial deconstructionism and esoteric sound design, always coupled with his undying love for metal guitar, bass and vocals, specifically the extreme end of the spectrum. Influenced by bands like Coil, Godflesh, Napalm Death, Mayhem and Esoteric, White’s artistic output has assumed various forms throughout the years with self-containment and solitude as the founding basis of nearly his every work and loads of personal knowledge and deeply rooted and explored interests spanning from history to philosophy, to ancient civilizations, science and occultism, all being thrown in the mix as conceptual backdrops to his nightmarish compositions. This union of self-contained musical skills and mediums, meticulous solitary work, and endless personal interests has led to the creation of various obscure and highly underrated ambient/black metal/industrial projects over the years, many of which date as far back as 1995, from Crown of Ascension to the Egyptian mythology-themed black metal experimentalism of Thoraxembalmer, all the way to industrial funeral doom of Uncertainty Principle and of the multi-member project The Null Collective. And his most recent extreme metal project Vessel of Iniquity is the sum of all these years of self-learning, sonic exploration and boundless curiosity toward new realms of the extreme and of the unknown, all of which in recent years have helped White push his creativity into new and even more unthinkable and unseen territories of total auditory abandon. Continuing the trend of never adhering to any scene or benefitting from any kind of mainstream underground exposure, through its 2017 defining self-tiled debut album, the followup LP “Void of Infinite Horror” and a string of more experimental EPs and digital releases, Vessel of Iniquity has taken the sincretisms of black metal, grindcore, and industrial noise to its most remote outer limits, establishing itself as a puzzling and unseen beacon of extremism unlike anything else existing in the underground.


HATE PROPAGANDA: Portuguese Bestial Black/Death Metal War Criminals Reissue Annihilating 2019 Debut MLP "World War 666" On Vinyl For First Time Ever.

Hate Propaganda's far too overlooked 2019 debut MLP "World War 666" sees a much needed reissue on vinyl, remastered and enhanced by brand new artwork commissioned for the purpose by Xerox master P. Van Trigt. The 10” vinyl weapon of mass annihilation is available now worldwide via all our channels.

When it was first released on cassette tape back in 2019 by War Arts Productions, this war-torn debut offering of primeval warnoise by the mysterious Portuguese war criminals stood out immediately as a crown jewel debut for the genre and as one one of the year's most definitive and underrated manifestations of extreme metal's most hateful and berserk fringe. Packing in nineteen minutes of absolute hatred, the annihilating MLP manifests as a nightmare hallucination of complete violence and negativity, evoking eons of perennial apocalyptic global planetary war and terror on the wings of its nefarious design of achieving maximum annihilation in the shortest amount of time possible. To harness this bleak pantheon of ruin, the Portuguese conquerors have assembled a weaponized and uncontrolled sonic chain reaction where grindcore, black metal, death metal and hardcore punk are all accelerated and instigated into an inescapable payload of death aimed straight at the vital sinews of humanity. A sonic maelstrom churned into shape by an onslaught of obscure violent riffs, psychotic leads and ominous laughter which, parallel to a pulverizing drum performance, emanates from oblivion with an antediluvian, negative aura. Comparisons to bands like Diocletian, Heresiarch, Tetragrammacide and Nuclearhammer will run abound, yet these would be only easy superficial conjectures as this is a manifestation of sonic extremism which dwells on a plain of excellence entirely its own. Its uniqueness transpires particularly in the maniacal drumming which underlines the band's hardcore and punk influences, and is exalted further by an unusually crystalline production and by a masterful onslaught of uber-audible riffs hiding behind nothing and seemingly going in the opposite direction of the homogenous and indiscernible sensorial smothering the genre usually opts to go in.




DIABOLIC OATH: Esoteric Black/Death Metal Sorcerers Unleash Bludgeoning New MLP “Aischrolatreia” - Tracks Premiered at CVLT Nation and Decibel Magazine.

Portland, OR-based bestial esoteric black/death metal sorcerers Diabolic Oath are back with another annihilating chapter in their unrelenting conquest of the outer limits of total sonic bedlam. This time the experimental extreme metal trio return with the "Aischrolatreia" MLP, a prelude to their forthcoming sophomore full-length album which offers another glimpse into the band's unique and hallucinatory formula of barbaric occult war metal and unconventional fretless instrumentation and composition.

The opening track from the work “Thrones Before Slobbering Gods” was previously unveiled by CVLT Nation to coincide with the band’s 2022 spring West Coast tour, with the notorious underground blog stating that the work is “an aural war of unprecedented traits”. While this week the track “Swathed in Aberrant Flesh” has been revealed by Decibel Magazine.

The twenty-four minute, five-song esoteric weapon of mass annihilation delivers a churning and abysmal onslaught of warped, tectonic hallucinations, with the band designing seemingly impossible and highly cerebral trajectories with their respective instruments while the load of death emanating from these plague-ridden conjurations crushes the listener down with merciless abandon into complete aural carnage. With "Aischrolatreia" Diabolic Oath have proven once again of being one of the most transformative and unconventional forces in extreme metal, with their undisputed talents as virtuosic musicians being lent with staggering vision and imagination to one of the most animalistic and inhuman manifestations of extreme metal being forged today.

Diabolic Oath was begotten in Portland, Oregon in late 2017 by the will of The Temple and of Ominous Void. Almost immediately, Cthonian Incursor was summoned to join, providing blasphemous vitriol and unholy thunderous percussion. The trio soon recorded the first offering, MMXVIII, and began the first incursions of unforgettably bleak and bludgeoning live rituals. Soon after, the band began writing new material which coalesced to become their mind-bending and flesh-battering first full-length album, Profane Death Exodus to be released in 2020 by Sentient Ruin. To make this album it was decided early on to implement the unique and unorthodox approach of fretless bass and guitar instruments combined with a triple vocal attack delivered by all members of the group, often simultaneously, to harness something unseen and unheard of before then in extreme metal, and completely ungovernable and unhinged. The band’s sound at this point began to flow as free-form sonic death ritual, beginning to assume abominable and experimental traits, and yielding an imposing sound drenched in lawlessness and chaos. Around the same time an anonymous, ritualistic approach to the live setting was adopted, incorporating in live perfomances meditations on death accompanied by obscure offerings, to further shape the creature’s essence in a realm of mysticism, chaos, and absurdity. The sound of Diabolic Oath is the culmination of a meticulous distillation of influences and styles ranging from black, death, and war metal to doom, and with certain influences (new and old) such as Teitanblood, Morbid Angel, and Bestial Warlust creeping into the mix alternating more pronounced references to more subtle ones. The band has worked tirelessly to carve its Diabolic path, playing shows to support high-caliber underground acts across the Pacific Northwest, Canada, and Mexico. With the debut full-length, Profane Death Exodus, the band is poised to conquer, destroy, and seal the oath!

VEL'HAR: Germany-Based Chilean Black Metal Entity Issues Debut MLP On Vinyl Via Sentient Ruin - Full Stream and Pre-Orders Available.

We are proud to announce that Chile-born and now Germany-based scourging black metal plague Vel'Har joins Sentient Ruin for a much awaited and long anticipated vinyl release of its 2020 light-consuming debut MLP "Letanía I", to be released August 19 2022 on limited edition 10” vinyl and digital formats, all pre-order able now via all our channels.

On the wretched offering cryptic mastermind H.S.V.H. unfolds two monstrous black metal blades adorned by three interludes to invoke an unholy sonic siege upon the ridicule of life and the purity of christendom. Baptized under the pentagram and spewn from the unholy jaws of oblivion, these five tracks sprawl and hiss like a horrifying morass of snakes, consuming reality and devouring everything in the wake of a monstrous tide of venom. The rawness and violence of these riffs is evident, but so is the ritualistic and esoteric majesty emanating from its death-scarred aura; an infernal force summoned as a liturgy or rite of passage toward a higher meaning and other form of existence. And that form is Satan's triumph, the zenith toward which every moving part of this wretched crucible converges. His glory as beacon and conduit of pestilent krafts conceived with the malefic design of insulting life and transporting the listener deep inside twisted and inverted dimensions of infinite dissolution and complete insanity.

”Vel'Har” means "permanent altered state of consciousness", a word which materialized from a vision, in a meditative state. Asking what the state is called, such word was uttered from the void of trance…. This state is achieved through the preparation of the being for transcendence, as such those who delve must be prepared to know how to recognize the limits of "reality”. Vel'Har is the reflection of one’s self, of their fears, of their insecurities, of what you do not want to know or see, but which is there... Lurking... Waiting for you to fail, to show you what reality, really is. A form of transcendental blessing, or curse, based on how it may be interpreted, that will accompany you in eternity… You can embrace it, learn and grow from its glory by accepting it as part of you... Or deny it and pay its price in perpetuity.

Vel'Har was initially envisioned from the southern and hostile lands of southern Chile around 2010 under the constellation of HSVH and IAAG, in an attempt to channel and capture those experiences acquired in altered states of consciousness, dreams, astral travel and the ritual work in "the black Lodge" thus challenging the limits of sanity and reality, in search of full knowledge, delivering in a purist way a collection of spells that would awaken the darkest sensations in those who hear and understand the true call… Vel’Har did not however actually see the light until 2019, when HSVH relocated to Germany and in doing so decided to bring the project with him and finally give it life after it had lingered for years lost somewhere in conscious memory. With the main support of Lord Valtgryftåke and Keikruk 13th Temple / Gryftigæn and Mahanvantara Arts Records, its first offering "Letanía I" was assembled at Temple of Rudrah Studios, being subsequently initially released by Mahanvantara Arts Records in tape format limited to only 30 copies. The wretched debut offering sent a shockwave ravaging through the European black metal underground, thus Sentient Ruin stepped in to release the work unto and exclusive vinyl release enhanced with new artwork created by BMS Ilustration and inspired by the symbolism of the chalice and the sacrifice of innocence, a released aimed only at select group of perverse devotees of true Luciferianism. "Letanía I" ‘s oppressive, raw, and impetuous sound catapults the listener back to the 90's, reminding them of the ancestral black metal glory established by bands like Opfermod or early Watain, emphasizing the genre’s darkness and oppressive inclinations with a masterful aural conjuring of unrelenting yet dynamic riffing and tortured vocals that create and otherworldly and surreal atmosphere that celebrates the authenticity of black metal and the dismemberment of the soul and self.